搜索"Han" ，找到 部影视作品
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故事讲述在婚姻里受伤的女人选择出轨报复丈夫，以换得丈夫回心转意。当一个受伤的女人找了一个牛郎，他们却以为旧情萌生了爱愫。最终女主该如何选择爱。老公不爱我了，当我找了个鸭子，马上投入真感情了，前夫说这只是爱的报复，到底要选择鸭子还是前夫eee
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阿棕（司提崇·皮叻陂TommySittichokPueakpoolpol饰）的妹妹索尔（薇琳萨兰·唐绮苏瓦妮VeerinsaraTangkitsuvanich饰）是一个腐女，一天，阿棕震惊的发现，自己竟然被妹妹写进了她所创作的BL小说里，阵阵作呕的阿棕发誓，小说里的这些事情永远都不会发生在他的身上，直到有一天，阿棕遇见了名为萨法（甘·克里查纳潘JimmyKarnKritsanaphan饰）的男孩aaa 图图（苏帕蓬·尤多坎扎纳SuppapongUdomkaewkanjana饰）曾经是衔着金汤匙出生的富家大少爷，却因为家道中落而沦为穷小子。菲特（李海海ZeePrukPanich饰）是认为有钱就可以为所欲为的富二代，当两个人相遇后，他们的价值观产生了激烈的冲突，甚至碰撞出了激情的火花。
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ToryandTommyseesomeseriouskaboomactionandmeetthetrainedprofessionalswhogettodetonateallkindsofthingseverydayccc
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Theydonotshowwarinthisfilm,theyshowpeopleandtheirdreamsandhopesruinedbythewar.Itisnotjustanother"warfilm",butitrisestothelevelofatrueTragedy.Notapropagandistorasobstory.ManycriticscomparethisfilmtoanotherfamousRussianwardrama,TheCranesAreFlying.IstillthinkthatTheHouseILiveinisbetter,though,ifyou'veseenTheCranesandlikedit,mostprobablyyou'lllovethisoneeither.Bothfilmswereshotin1957andtreatthewarthemefromthesimilarhumaneperspective.Iwouldn'tcutasingleshotfromthefilm,allofthemarejustinplace.IdonotknowifitcanbefoundoutsideRussia,ifyes,don'tmissiteee ManycriticspointedoutresemblancesbetweenDom,VKotoromYaZhivu(TheHouseILiveIn)andthebetter-knownSovietfilmTheCranesareFlying.SetintheyearspriortoandduringWWII,thestorycentersonthevariousresidentsofaco-ophouse.Thoughthedirectorsnevershowthewaritself,itstragicimpactisfeltthroughoutthefilm.AnddespitethepotentialforSovietpropaganda,whatsticksinthemindistheuniversalityoftheexperiencesenduredbytheleadingcharacters.Dom,VKotoromYaZhivuwasoneofRussian'sentriesinthe1958BrusselsFilmFestival.
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泰吉•巴德兰德巴德（卡尔•潘KalPenn饰）带着范•维尔德的精神和大学学位，远赴英国加尔福德大学——这里是他父亲曾经“战斗”过的地方，兄弟会“狐狸与猎犬”之屋留下了父亲风光的记忆，然而来这里担任助教的泰吉并不被对方认可，狐狸与猎犬的首脑皮普反而将泰吉戏弄了一通。泰吉来到自己负责的宿舍——被戏称为马厩的败落小屋，这里住着四个边缘化的学生：研究量子物理和男女关系的盖辛，暴躁的爱尔兰人谢莫斯，沉默的宅男赛门以及不检点的女生赛迪。泰吉为了让这几位问题青年重新振作，自组鸡公牛社团向皮普的狐狸与猎犬之屋发起挑战，而皮普的女友查莉令泰吉一见钟情，于是一场关乎学生尊严和助教爱情的奋战拉开了序幕…ddd
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在世界的尽头，一个小男孩的垂死母亲送他去寻找一个地方，满足愿望。《最后的男孩》是一部科幻剧，灵感来自13世纪苏菲派神秘主义诗人鲁米的诗歌eee
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WunderderSchöpfungisanextraordinary,fascinatingKulturfilmtryingtoexplainthewholehumanknowledgeofthe1920sabouttheworldandtheuniverse.15specialeffectsexpertsand9cameramenwereinvolvedintheproductionofthisfilmwhichcombinesdocumentaryscenes,historicaldocuments,fictionelements,animationscenesandeducationalimpact.Ititsbeautifullycolored,usingtintingandtoninginaveryelaboratedway.SomevisualideasinthesequenceswithaspaceshuttlevisitingdifferentplanetsintheuniverseseemtohavetobetheinspirationforStanleyKubrick's2001:ASpaceOdysseyaaa InthecontextofGermany'sKulturfilmphenomenon,WunderderSchöpfungwasamongthegreatestachievementsofthe1920s.Theproductionwasconstructed,rehearsed,andshotoveraperiodoftwoandahalfyears,underthesupervisionofHannsWalterKornblum.Theideatodescribetheuniverseandman'splaceinitwellsuitedUFA'sGrossfilmmentality,oneyearbeforetheMetropoliscatastrophe.Hundredsofskilledcraftsmenparticipatedintheproject,buildingpropsandconstructingscalemodelsdrawnby15specialeffectsdraughtsmen,while9camerameninseparateunitsworkedonthehistorical,documentary,fiction,animation,andscience-fictionsequences.Withoutstarrolesorevenprotagonists,thefilm'splotiscrowdedwithmeticulouslystructuredandskillfullyactedsinglescenesanartfulmosaicofsmallvignettes.Nolessthanfourcrediteduniversityprofessorsensuredthefactualbackgroundbehindthescientificandhistoricaleventsportrayed. Thefilm'ssymbolofprogressandthenewscientificeraisaspacecraft,travellingthroughtheMilkyWay,makingalltheplanetsandtheirinspiringworldsfamiliartous,withtheextravaganzaoftheirdistinctivefeatures.Thefilm'seducationalintentions,however,becomesteadilymoreobscure,humorous,orevencampyasthispopularizationprojectproceeds.Withtheexcuseofpresentingtheendoftheworldanot-so-newconceptasanew,undeniablyscientifictruth,thefilmveershappilyalonganewpath,displayingdetailedapocalypticscenesoftheendofmankind.Fortoday'saudiences,thisamazingfilmdemonstrateshowtheuniversewascomprehendedinthe1920s,andhowthatviewwassoldtocontemporaryaudiences.